I've been struck again recently with the degree to which playwrights and screenwriters I work with often tend to be unaware of, downplay, or largely ignore the importance of pre-writing work before going to draft. Talented as they are, a number of my script consulting clients and students in the MFA program I run are not adequately familiar with the pre-writing tools available to them and that are, in my opinion, essential for thorough character exploration and for laying the structural groundwork for any good script.
There are a number of basic principles that need to be embraced as you plunge into a new project, all of which point to the importance of undertaking extensive pre-writing work:
where I share tips, news, and ideas about scriptwriting--both plays and screenplays--and muse about the place of the writer in the rapidly evolving entertainment industry...
Showing posts with label low-residency MFA screenwriting. MFA writing for stage and screen. Show all posts
Showing posts with label low-residency MFA screenwriting. MFA writing for stage and screen. Show all posts
Thursday, September 19, 2013
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