It was another jammed-packed creative gathering of student writers from around the country teaming up with our faculty of professional writers, SAG and Equity actors, and several other industry professionals. A stimulating time for all of us, we ran classes every morning and table readings and rehearsed concert readings of students' full-length plays, screenplays, and tv pilots of new original series in the afternoons and evenings. With meals together in between.
In all we gave voice to 11 scripts--a marathon of story telling being lifted off the page for the first time. Writers had the opportunity to work with the actors before every reading, discussing how each of the major roles should be played. And then extensive directed feedback from the entire collected group of professionals followed each reading, giving every student writer the opportunity to see how and where his or her script might be improved.
Workshops on grant writing for writers, synopsis writing, rewriting, dialogue writing, screenplay story development, and more kept our mornings buzzing.
Also, all our student writers pitched new story ideas that they'll be developing into working drafts during the fall semester (between now and the next residency in January 2018). Professional writer/mentors were assigned to each writer and who will be working closely with our students as they go through the process of creating their new script to share at the next residency.
Breathless as all this may sound, our ten-day residency was pretty much a non-stop creative exploration from beginning to end. Everyone departed charged and ready to get to work on their next project--hopefully wiser, with their skills and craft further sharpened.
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I'm the Program Director of the low-residency MFA in Writing for Stage and Screen being offered by the New Hampshire Institute of Art. Our last residency ran from June 22 to July 1 and we're current considering applications for starting the program next January at our residency scheduled for January 5-14, 2018. If you're interested, email me at email@example.com and we can start a dialogue.
I'm also a playwright and screenwriter, producing partner in my production company Either/Or Films (The Sensation of Sight and Only Daughter) a professional script consultant, and the author of The Playwright's Process. You can follow me on Twitter @eitherorfilms or @mfastagescreen. I’m also on Facebook at buzzmclaughlinscriptconsulting.