Probably the most important nonverbal element in scriptwriting, especially playwriting, is the pause, or silence in the middle of a line or between lines of dialogue. Often the most potent moment in a scene is during the silence that ensues after a poignant line, that moment when a profound decision or realization is made. The audience witnesses this happening during the silence.
These moments are very much part of the writing. You are creating a script that includes both verbal and nonverbal elements, and it's how the two interplay with each other that determines the shape and rhythm of each scene. All nonverbal physical actions influence how your characters relate to each other and what they say and think. And this is especially true for silences.
where I share tips, news, and ideas about scriptwriting--both plays and screenplays--and muse about the place of the writer in the rapidly evolving entertainment industry...
Showing posts with label pace in film. Show all posts
Showing posts with label pace in film. Show all posts
Tuesday, November 24, 2015
Using the "pause" and "silence" in scriptwriting...
Saturday, June 11, 2011
Manohla Dargis and A.O. Scott weigh in on "slow and boring" films
I came across this article in the New York Times the other day by the paper's two top movie critics Manohla Dargis and A.O. Scott in which they discuss that there's a place for films that go beyond supplying mere entertainment. If you haven't already seen it, it's well worth a read and definitely food for thought. It has undoubtedly hit a nerve as there are 186 comments as of today.
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